January 2025, Oil on canvas, 80x80cm

This is the fourth pâinting in my Jessica series, exploring the dynamics of relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.

The introduction of Tintin is an ironic reference, an alternative visual language that adds flavor to Jessica and her adventures.

“A man who is accustomed to getting what he wants—or is it the other way around? Who holds the leash, and who is in charge of whom? With Tintin, Snowy is unconditionally loyal; in real life, things are more complex. It is up to the viewer’s personal interpretation.

Louise #1

Oil and Damar resin on canvas, dyptich, 80x80cm+40x80cm The first painting in a new series, all about Louise and how I reflect on memories. A

Jessica #10

Oil and Damar resin on canvas, 80x80cm The tenth and last painting in my Jessica series. The series explore the dynamics of interactions within relationships:

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Oil and Damar resin on canvas, dyptich, 80x80cm+40x80cm

The first painting in a new series, all about Louise and how I reflect on memories.

A seaside scene unfolds with deliberate irony: intimacy is staged rather than lived. On the right, a drawn figure — Tintin — stands before the curtain, revealing the theatrical nature of the image. A nod to my Belgian roots and to Hergé.

Oil and Damar resin on canvas, 80x80cm

The tenth and last painting in my Jessica series. The series explore the dynamics of interactions within relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.

Oil and Damar resin on canvas, 80x80cm

The ninth painting in my Jessica series. The series explore the dynamics of interactions within relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.