January 2025, Oil on canvas, 80x80cm

This is the fourth pâinting in my Jessica series, exploring the dynamics of relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.

The introduction of Tintin is an ironic reference, an alternative visual language that adds flavor to Jessica and her adventures.

“A man who is accustomed to getting what he wants—or is it the other way around? Who holds the leash, and who is in charge of whom? With Tintin, Snowy is unconditionally loyal; in real life, things are more complex. It is up to the viewer’s personal interpretation.

Torn between two lovers

Jessica 5

February 2025, Oil and Damar resin on canvas, 80x80cm The fifth painting in my Jessica series. The series explore the dynamics of interactions within relationships:

Jessica 4

January 2025, Oil on canvas, 80x80cm This is the fourth pâinting in my Jessica series, exploring the dynamics of relationships: courtship, rejection, attraction, conflict, discussion,

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February 2025, Oil and Damar resin on canvas, 80x80cm

The fifth painting in my Jessica series. The series explore the dynamics of interactions within relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.

January 2025, Oil on canvas, 80x80cm

Exploring the dynamics of relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.

I try to create a space where the viewer, as Jung suggests, is not just looking but drawn inward, perhaps touching deeper layers of the psyche. I try to evoke archetypes and symbols of relationships, inviting discovery rather than providing answers. Elements like color, form, and structure encourage the viewer to look beyond the visible, into what may be hidden or absent. Using their imagination, they might encounter their own anima or animus within, engaging in an inner dialogue shaped by both presence and absence.