Oil and Damar on canvas 80x80cm – Dec 2022
The day I met Olga (De ontmoeting met Olga).
Work in progress January 2025 Oil on canvas, 80x80cm This is the fourth pâinting in my Jessica series, exploring the dynamics of relationships: courtship, rejection,
Work in progress January 2025 Oil on canvas, 80x80cm Exploring the dynamics of relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow. I try
Work in progress January 2025
Oil on canvas, 80x80cm
This is the fourth pâinting in my Jessica series, exploring the dynamics of relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.
The introduction of Tintin is a gimmick, and yet more than that. It is an ironic reference. A man who is accustomed to getting what he wants—or is it the other way around? Who holds the leash, and who is in charge of whom? With Tintin, Snowy is unconditionally loyal; in real life, things are more complex. It is up to the viewer to search for the deeper meaning, as a personal interpretation. Open to discussion.
Work in progress January 2025
Oil on canvas, 80x80cm
Exploring the dynamics of relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.
I try to create a space where the viewer, as Jung suggests, is not just looking but drawn inward, perhaps touching deeper layers of the psyche. I try to evoke archetypes and symbols of relationships, inviting discovery rather than providing answers. Elements like color, form, and structure encourage the viewer to look beyond the visible, into what may be hidden or absent. Using their imagination, they might encounter their own anima or animus within, engaging in an inner dialogue shaped by both presence and absence.
November 2024, Oil and Damar resin on canvas, 80x80cm
This is part of my new Jessica series, which explores the dynamics of human interactions within relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.
