Oil on canvas 80x80cm – March 2023
The day I met Olga (De ontmoeting met Olga).
Oil and Damar resin on canvas, dyptich, 40x80cm+80x80cm About Louise and how I reflect on memories. Lemons recur on the table — a familiar attribute
Oil and Damar resin on canvas, dyptich, 80x80cm+40x80cm The first painting in a new series, all about Louise and how I reflect on memories. A
Oil and Damar resin on canvas, dyptich, 40x80cm+80x80cm
About Louise and how I reflect on memories.
Lemons recur on the table — a familiar attribute throughout my work, their connotation not far to seek. The man in black and white, the woman in colour. Presence and absence coexist without resolving into narrative.
The work once carried a second title, The Green Door, referring to a separate 40 cm panel attached to the main painting with hidden bolts, acting as both threshold and interruption. It allows the viewer to enter unexpectedly.
Oil and Damar resin on canvas, dyptich, 80x80cm+40x80cm
The first painting in a new series, all about Louise and how I reflect on memories.
A seaside scene unfolds with deliberate irony: intimacy is staged rather than lived. On the right, a drawn figure — Tintin — stands before the curtain, revealing the theatrical nature of the image. A nod to my Belgian roots and to Hergé.
Oil and Damar resin on canvas, 80x80cm
The tenth and last painting in my Jessica series. The series explore the dynamics of interactions within relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.
