Oil and Damar resin on canvas, dyptich, 80x80cm+40x80cm
The first painting in a new series, all about Louise and how I reflect on memories.
A seaside scene unfolds with deliberate irony: intimacy is staged rather than lived. On the right, a drawn figure — Tintin — stands before the curtain, revealing the theatrical nature of the image. A nod to my Belgian roots and to Hergé.
Oil and Damar resin on canvas, dyptich, 80x80cm+40x80cm The first painting in a new series, all about Louise and how I reflect on memories. A
Oil and Damar resin on canvas, 80x80cm The tenth and last painting in my Jessica series. The series explore the dynamics of interactions within relationships:
Oil and Damar resin on canvas, 80x80cm
The tenth and last painting in my Jessica series. The series explore the dynamics of interactions within relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.
Oil and Damar resin on canvas, 80x80cm
The ninth painting in my Jessica series. The series explore the dynamics of interactions within relationships: courtship, rejection, attraction, conflict, discussion, betrayal, love, and sorrow.
